Setter’s ‘Spectives: Ah, Yes, I Remember It Poorly

Setter Drawing for Blog 082613Why is it that some not-so-great movies stay in the memory and other, much better ones often don’t?

For example: The Omega Man. Sloppy, mediocre science fiction. Yet I recall the images from this Charlton Heston zombies-on-the-loose gloomfest more than anything from a seminal sci-fier I enjoyed more, The Day the Earth Stood Still.

It ain’t easy to forget a giant robot named Gort. Or the famous mantra “Klaatu barada nikto.” And I certainly haven’t forgotten them. But for some reason, they’re not as defined as all of the unpleasantness pervading TOM.

That includes the script, by the way … which could’ve been a lot better, given the source material (Richard Matheson’s book I Am Legend).

Perhaps that’s the root of the issue—that memory often focuses on “what ifs” over “done right,” deserting the positives for second guesses. At least, in my case. The idea of something close to quality may trump actual quality in the mind, presenting a puzzle that continues to disturb at the cost of remembering more important works.

TOM isn’t the only flick that does this. Nixon, Turnabout, The Adventures of Ford Fairlane—all of these horrid films I remember all too well, though I don’t want to do so. And they all could’ve been watchable, though each would’ve needed something more than a touch-up. (In Fairlane‘s case, a full cinematic makeover would’ve sufficed.)

So how do I clear my mind of these film fiascos and replace them with memories of David Lean, Satyajit Ray, François Truffaut and the like? I know of only one way.

Watch more of their movies. Put Gort in the DVD player. And maybe repeat the words “Klaatu barada nikto” in my brain until I get it.

A mind’s a terrible thing to waste … on bad movies. No reason, then, to keep them stored with all of those good memories.

Skip’s Quips: To Squirm or Not to Squirm

Blog Sketch 082813Bad movies make me writhe. Stuck in my seat, knowing I paid mucho moola to watch them, I only have one recourse as the flicks meander on.

Fidget. Courageously.

It’s what I did while watching Oliver Stone’s dreadful Nixon, a dull, overstuffed journey into the life of Tricky Dick. The darkness of the theater, the film’s length and the fact that walking out would mean deserting my friends all prevented me from running the heck outta there.

So I writhed. Shifted in my seat. Tapped my fingers.

As Father Merrin from The Exorcist might cry: “The tedium of the movie compelled me!”

What else can we do in the face of such cinematic horrors? It’s even worse when you’re at a screening, where one must maintain a kind of politesse. Your power to criticize vocally is taken away from you. You’re even removed from any light—so there goes your ability to exit without stepping in someone’s popcorn.

The movie is your master. And you can’t do anything about it.

That’s why, these days, I prefer watching flicks on TV. You can always change the channel if, say, Nixon graces your screen. You can always go to the kitchen to get a snack or spend an inordinate time in the bathroom if the film takes too long.

The power of TV compels me … to embrace it. As well as remember that we still have the capacity, as consumers, to avoid the worst movies.

More power to us.