Skip’s Quips: Why This Baseball Fan Liked ‘Million Dollar Arm’

Blog Sketch 082813OK, I’m a sucker for baseball – even in December. I’m a big fan of America’s pastime. I used to watch the New York Yankees every chance I got.

That said, I didn’t expect to like Million Dollar Arm. I thought it was going to be cheesy. Overly sentimental. Junk.

Wow, was I surprised. It’s not a perfect movie by any means, but boy, was it enjoyable. And what a story: It’s the based-on-truth tale of a sports agent (expertly played by Jon Hamm) who journeys to India in a quest to find hard-throwing baseball pitchers from the subcontinent.

Oh, yeah: And Alan Arkin is in it, so what could be bad, right?

What impressed me was the quality of the script, as well as the skill of director Craig Gillespie in moving the film along. Then you had terrific ensemble performances, not only by Hamm and Arkin, but also by the excellent Suraj Sharma and Madhur Mittal, who portray the new-to-baseball pitchers perfectly. You have some fun fish-out-of-water situations with Hamm, Sharma and Mittal all getting culture shock from the countries they travel to, along with more serious themes about the importance of family and ambition. It’s nothing profound, but it’s quality entertainment. And in this day and age, that’s important.

I don’t like all movies about baseball, despite my predilection for the game. Million Dollar Arm, however, is a good one. It was somewhat unsung this year; perhaps more viewers can rectify that. Whether it will be a sports classic in time is not known as yet. All I know is I had an enjoyable time watching it. Hopefully, you will, too.

Skip’s Quips: The Verdict on ‘Argo’ Is … Pretty Smooth Sailing

Blog Sketch 082813I somehow knew Argo was going to be good, yet for no apparent reason I’ve been avoiding it.

Until last night. Saw it for the first time. And you know what? It’s a more than decent suspenser. OK, as a friend noted, there were too many “ticking clocks.” But it was tense enough, with sharp direction from Ben Affleck, who also starred in the film. There were also good turns from Alan Arkin, who was a hoot as a cynical yet patriotic producer, John Goodman and Bryan Cranston. Cinematography and editing were solid; perhaps there was a bit too much herky-jerkiness with the camera. All in all, though, it was quite well done.

I’m not usually a big fan of Affleck’s work; as an actor, I find him rather mannered. But in this movie, he was relatively subdued, and it worked nicely. I hope his next opus will be just as strong.