Setter’s ‘Spectives: There’s No Imitating ‘Imitation of Life’ … in Lousiness

Setter Drawing for Blog 082613I’m not sure even the hallowed Cahiers du Cinéma could convince me that Douglas Sirk’s Imitation of Life is a good movie.

Maybe I’m missing something, but after about five minutes of this noisome, overdone film I’d had enough. I stopped watching, preferring to listen to the dialogue as it buffeted my ears.

Not fun.

Sirk may be highly regarded in some circles, but I just didn’t care for this weepy, obvious picture, and I suspect I’d feel the same way about many of his other flicks. Yes, I’m generalizing, but if this is the kind of thing Sirk is known for, I’m not interested. Give me Seven Samurai any day.

Oh, I realize I’ve got to supplement my intake of Kurosawa with lesser works now and then. I already do. Imitation of Life, however, is not something I want to revisit again; I’d even rather watch an old Steven Seagal hack-a-thon instead.

Though I hope I won’t have to make that choice. Anyway, on to better cinematic options.

Skip’s Quips: Having Another Go at ‘Conan the Barbarian’

Blog Sketch 082813Why, I asked myself last night, am I watching the original 1982 version of Conan the Barbarian again?

Isn’t once enough for this film? It doesn’t have great cinematography. Much of the acting – except for stalwarts such as James Earl Jones and Max von Sydow – is atrocious. And the special effects are pretty poor by today’s or even yesteryear’s standards.

Oh, yeah: And the blood squibs are gloppy. Really gloppy.

Well, parts of it are watchable, for some reason. I’ve read one of the original Robert E. Howard Conan stories, “The People of the Black Circle,” and the film stays true to the tale’s sensibilities. You know: blood, gore, lust and all that. Plus, there’s the much-lauded score by Basil Poledouris, which is somewhat bombastic but definitely works.

Then there’s the script, courtesy of director John Milius and Oliver Stone. Pretty simple stuff, but at least it’s not verbose and pretentious. I was grateful for that.

There were also a number of seemingly derivative moments that may have been “inspired” by classic films such as Kwaidan (the scene in which the wizard writes runes on Conan’s body to protect him from demons) and The Seven Samurai (the stake-adorned defense against Thulsa Doom’s cohorts). Surprisingly erudite stuff for a film such as this. I did see part of an interview a long time ago in which Milius lauded Kwaidan as being “dreamlike,” so perhaps he was mining that movie for Conan. Nevertheless, it made for strong viewing.

So all in all: kind of a sloppy film, with dull moments and some very good ones. I may end up watching it again in the future and asking myself, once more, why I’m doing so. Hopefully, I’ll be able to answer myself the same way.

Skip’s Quips: And for Dessert, I Get ‘Seven Samurai’

Blog Sketch 082813This is why it pays to be nice to your spouse.

A few days ago, Trudi got the Kurosawa classic The Seven Samurai on Netflix, and we watched it together … despite the fact that both of us had seen it multiple times (I about 100 or so). Plus, it’s not Trudi’s favorite movie, though she does like it more than other samurai films. So it was something of a treat for me.

God bless you, Trudi. Thank you for being so good to me.

Oh, it was as good as ever, filled with swashbuckling adventure, heroic deeds and complex characters. I love this movie very much, and I’m grateful to my wife for letting me see it. I get Seven Samurai withdrawal symptoms, you see, and after I go, say, about six months without watching it, I get an incredible desire to view it again.

Trudi and I have different tastes when it comes to films. We don’t always agree on what’s good and what isn’t. But sometimes we do things that one half likes more than the other half – without complaint. That’s part of what makes a good marriage, I think. And it’s just one of many reasons to love Trudi.

Now, the question is: When am I going to reciprocate with a rom-com? Hoo, boy.