Setter’s ‘Spectives: Uneasy Blink the Eyes That Watch ‘Easy Rider’

Setter Drawing for Blog 082613Please don’t blame me for not seeing Easy Rider all the way through until yesterday.

For some reason, I’d never got around to viewing it. I realize it’s a part of history, a seminal film of the 1960s, but I wasn’t something I felt like rushing to watch.

Well, I had the time yesterday while recuperating from a bout of food poisoning, and I have to question whether it was worth the wait.

Sure, it has fine cinematography. A terrific rock soundtrack. A bit of ambition from director/star Dennis Hopper mixed in with the counterculture ethos.

Unfortunately, it also has pretentious dialogue and quite a few dull moments, many of which are spent on the highway while the United States landscape flits by. Politically, it’s interesting, perhaps a bit dated, but I don’t think it’s enough to carry the film. The picture meanders, doesn’t go anywhere. And for a road movie, that’s a real issue.

Sure, it’s important. It played a role in stitching the American fabric. But I have no desire to see it again. Once was enough.

Not the mark of a true classic, in my opinion. Sadly, I think Easy Rider, as Peter Fonda’s Wyatt says in the end, blew it.

One thought on “Setter’s ‘Spectives: Uneasy Blink the Eyes That Watch ‘Easy Rider’

  1. Easy Rider is a product of the late Sixties. Coherence and intelligent plotting belonged to the Old Cinema. The New Cinema disdained them.
    We can see now how that worked out.

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