Sometimes movies that were childhood favorites remain just as good when you see them through an adult’s eyes.
I felt that way while watching the classic, leprechaun-filled Disney fantasy Darby O’Gill and the Little People last night. Boy is this a fun picture, and just as charming as I remembered it, with lovely, lilting dialogue, colorful cinematography and brilliant effects work … including some stellar scares via the depiction of a banshee that used to creep me out big time when I was a kid.
Oh, yes: And you have Albert Sharpe as the title character, plus Sean Connery as a young man. What’s not to like?
I was actually surprised at how well this film stands up today. It really is quite entertaining, and I even relished parts of it. I don’t think it’s a masterpiece, but as a piece of escapist movie-making it’s just fine. Certainly better than many flicks I’ve seen recently.
In truth, I probably shouldn’t have waited so long to revisit it. Maybe it’ll become a personal favorite for me as a grownup; I sure wouldn’t mind seeing it again. Not right away, of course, but give me a few months.
I might just develop the taste for it once more.
Why I don’t have certain classic movies on DVD at home is beyond me.
Watership Down is one of those missing from my rather lackluster collection. Why? This great, un-Disney-esque cartoon about the (often-scary) trials and tribulations of a migrating rabbit colony is one of my favorite animated features, yet for some reason, I don’t have it at home for my viewing pleasure. And sometimes I get a hankering for it – the atmospheric mythology of the bunnies, the expert vocal performances of actors ranging from John Hurt to Zero Mostel, the evocative score by Angela Morley. It’s a unique film, the type of thing that they don’t make anymore … in part because it’s sometimes very bloody (strange for a cartoon of that era) and certainly not for children. But it’s tremendously moving, and it’s got a lot to offer viewers open to something new and different.
I only read part of the novel by Richard Adams on which the movie was based, so I’m not sure how true to the book it was. A great film, however, stands on its own, in my opinion, and Watership Down does exactly that. At some point, I do expect to buy the DVD for myself. But first I must catch it.
Sorry. A bit of ill-chosen rabbity humor, there. I’ll stop now while I’m behind.
I think the reason Frozen was such a hit was marketing.
Ads for the animated film were all over TV. They got people to see it.
But I’m not sure why so many people liked it. I thought the script was dreadful and the songs mediocre. Plus, it was highly, highly unfunny, especially the character of the live, talking, happy-go-lucky snowman. It’s highly possible that the execrable Jar Jar Binks in Star Wars: Episode I – The Phantom Menace was a more humorous, better developed character.
OK, the computer animation was quite well done in Frozen; that was no surprise. Yet the film seemed artificial, manufactured, as if devised specifically for a certain audience and peppered with hip dialogue and silly situations. It didn’t have an organic quality, and the songs just made it worse.
I’m in the minority on this, I know. Frozen was a huge success. Yet that doesn’t necessarily equate quality, and in that light, the movie doesn’t make the cut for me.
Disney can do better than this, methinks.