Skip’s Quips: ‘Tis the Season for ‘Kwaidan’

Blog Sketch 082813Those seeking atmosphere in their films this Halloween over the standard weapon-wielding-maniac-goes-amok choices would do well to consider watching Kwaidan, Masaki Kobayashi’s colorful, eerie anthology of Japanese ghost stories. Adapted from Lafcadio Hearn’s collection of supernatural tales, this 1964 masterpiece is one of a kind, with gorgeous painted backdrops, stylized performances and pointed commentary on human foibles.

No, it’s not your everyday Halloween fare. But Halloween doesn’t come every day, anyway, so why not try it?

Personally, I find the film one of the most beautiful ever made, with stunning cinematography, bizarre landscapes (check out the eyes looking out at humanity from the sky in the second story), a creepy, minimalist score by the great composer Toru Takemitsu, and one of the best battle scenes ever put on film, a brilliantly photographed sea contest fought by doomed samurai in the movie’s centerpiece, the tale of Hoichi the Earless.

I’m not gonna reveal the derivation of the latter story’s title, but you can rest assured it’s completely warranted.

Bear in mind this flick isn’t as traditionally scary as, say, John Carpenter’s original Halloween or Jacques Tourneur’s terrific evil-on-the-loose film Curse of the Demon. Kwaidan makes up for those issues, however, with a disturbing, ominous tone and an otherworldly feel only achieved by the greatest ghost stories. It’s also from first-rate source material; you may want to grab the book for more after viewing the film, in which case you’ll encounter tales of people without faces, priests who battle bodyless ghouls, and other subjects.

Check Kwaidan out. It’s not very well known, but that doesn’t mean it isn’t memorable. Halloween probably won’t be the same to you afterward.

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