Setter’s ‘Spectives: ‘Sesame Street,’ the ‘Crack Master’ and Me

Setter Drawing for Blog 082613Last night, I watched something I hadn’t seen in more than 30 years.

It was an imaginative animated short that appeared on Sesame Street when I was a kid, so you know it was long ago. In it, a young woman lying on her bed imagines the crack on her wall to be various friendly animals: a camel, a hen and a monkey. She travels with them through the wall and finds what is hoped to be a new pal but turns out to be the “Crack Master,” a horrible, frowning face made of cracks. This “Crack Master” then is “destroyed” as the plaster that makes up his visage falls to the ground because he is “mean.”

Whoa, right? What a trip.

Actually, this short frightened me practically to death as a young child; I remember running out of the room when it was on so I didn’t have to see it. There was something about the face of the “Crack Master” that bothered me, as well as the idea of cracks coming to life. But in watching it last night, I did something I’ve been unable to do for decades: Conquer my fear. The scares of childhood weren’t, thankfully, there. Just the remnants of memories.

This clip has some notoriety; apparently I wasn’t the only kid to be horrified by it years ago. It remains a very creative piece: stark but well-realized, despite the eerie subject matter. You can decide for yourself whether all my fears were warranted by watching it here:

Skip’s Quips: ‘Tis the Season for ‘Kwaidan’

Blog Sketch 082813Those seeking atmosphere in their films this Halloween over the standard weapon-wielding-maniac-goes-amok choices would do well to consider watching Kwaidan, Masaki Kobayashi’s colorful, eerie anthology of Japanese ghost stories. Adapted from Lafcadio Hearn’s collection of supernatural tales, this 1964 masterpiece is one of a kind, with gorgeous painted backdrops, stylized performances and pointed commentary on human foibles.

No, it’s not your everyday Halloween fare. But Halloween doesn’t come every day, anyway, so why not try it?

Personally, I find the film one of the most beautiful ever made, with stunning cinematography, bizarre landscapes (check out the eyes looking out at humanity from the sky in the second story), a creepy, minimalist score by the great composer Toru Takemitsu, and one of the best battle scenes ever put on film, a brilliantly photographed sea contest fought by doomed samurai in the movie’s centerpiece, the tale of Hoichi the Earless.

I’m not gonna reveal the derivation of the latter story’s title, but you can rest assured it’s completely warranted.

Bear in mind this flick isn’t as traditionally scary as, say, John Carpenter’s original Halloween or Jacques Tourneur’s terrific evil-on-the-loose film Curse of the Demon. Kwaidan makes up for those issues, however, with a disturbing, ominous tone and an otherworldly feel only achieved by the greatest ghost stories. It’s also from first-rate source material; you may want to grab the book for more after viewing the film, in which case you’ll encounter tales of people without faces, priests who battle bodyless ghouls, and other subjects.

Check Kwaidan out. It’s not very well known, but that doesn’t mean it isn’t memorable. Halloween probably won’t be the same to you afterward.

Now These Would Be Some Scary Movies!