Category Archives: comedy

Skip’s Quips: Another Day, Another Film Not Finished

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Blog Sketch 082813I don’t know what’s going on, but these days, it’s hard for me to watch a single new movie straight through.

The latest cinematic example of this was In a World…,  Lake Bell’s mildly diverting comedy about a young woman trying to succeed in the movie trailer voiceover industry. Much of this flick didn’t ring true; perhaps it was too self-conscious for its own good. But I was able to view a couple of amusing moments before I lost interest and went to immerse myself in fantasy baseball.

That’s right. I gave up a night of movie viewing for a fake baseball game. Nothing says “this picture’s blah” more than that.

I think it was the script. There was something about it that seemed a little flat, as if there were potential joys it missed. It certainly was well cast, with actors such as Demetri Martin involved. I, however, just couldn’t get into it.

Perhaps the next one I’ll sit through fully. I think I’m on some kind of streak here.

Skip’s Quips: Laughing With Garbo in ‘Ninotchka’

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Blog Sketch 082813No, I hadn’t seen Ninotchka until last night, though all this time, I knew I’d like it. Why it took so long for me to view it is anyone’s guess, though.

Great flick, and the famed Lubitsch touch is everywhere, from the opening to the ending. There was also a good measure of bad taste thrown in, which I was thinking about after I saw it. Who else but Lubitsch would make a film satirizing the economic problems Soviet Russia was going through? This was the same director who crafted To Be or Not to Be, after all … which was similarly delicious, despite its controversial subject matter.

Anyway, I thought Greta Garbo was terrific, as was Melvyn Douglas, and I loved seeing the great Sig Ruman in yet another silly role. Ah, he was so good at those.

What an enjoyable movie.

Setter’s ‘Spectives: It’s ‘The World’s End’ as We Know It … Big Whoop

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Setter Drawing for Blog 082613Ever get the feeling while watching a movie that the actors enjoyed it a lot more than you?

That was exactly my response to The World’s End, the third in the “Cornetto” trilogy of silly, hyper-violent cinematic spoofs starring Simon Pegg and Nick Frost. (The previous two were Shaun of the Dead and Hot Fuzz.) I’m not a huge fan of the other films in this loose series, though they’re diverting enough on a rainy day when nothing else is on. The World’s End, however, felt more slapdash and cobbled together, as if the script – which has something to do with robotic aliens taking over the world as a stuck-in-the-’80s loser attempts to make a final, epic pub crawl with his now-grown-up buddies – was devised on the fly over brewskis. Ultimately, there were a lot fewer laughs in this flick than I hoped for, despite a strong cast (Martin Freeman plays one of the pals) and what was probably an immense amount of money spent on blue, extraterrestrial blood.

Part of the reason why I’m not a “Cornetto” series fan is the insistence on frustratingly kinetic editing that typifies many of the “action” scenes. I realize this is all part of the idea – that this is spoofery and it’s all very lighthearted – but it makes for dull viewing when done over and over again. And though I feel that Hot Fuzz is the best of the lot, I think they all smack of missed opportunities, as if too many jokes fell by the wayside. If you’re going to spoof something, go all the way, à la Airplane! or Blazing Saddles. I’m not sure what the creators of The World’s End were thinking, but there were some semi-serious moments that didn’t really work in such a wild and woolly context.

Once again, I’m in the minority on this; the Cornetto trilogy is a popular one, and I seem to be, oftentimes, at odds with popular cinematic taste. I stand by my perspective on The World’s End, though, with the end result being that on the whole, I’d rather have an ice cream than watch this movie again.

Skip’s Quips: Theory of ‘Frozen’

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Blog Sketch 082813I think the reason Frozen was such a hit was marketing.

Ads for the animated film were all over TV. They got people to see it.

But I’m not sure why so many people liked it. I thought the script was dreadful and the songs mediocre. Plus, it was highly, highly unfunny, especially the character of the live, talking, happy-go-lucky snowman. It’s highly possible that the execrable Jar Jar Binks in Star Wars: Episode I – The Phantom Menace was a more humorous, better developed character.

OK, the computer animation was quite well done in Frozen; that was no surprise. Yet the film seemed artificial, manufactured, as if devised specifically for a certain audience and peppered with hip dialogue and silly situations. It didn’t have an organic quality, and the songs just made it worse.

I’m in the minority on this, I know. Frozen was a huge success. Yet that doesn’t necessarily equate quality, and in that light, the movie doesn’t make the cut for me.

Disney can do better than this, methinks.

Setter’s ‘Spectives: How Glib Was My Movie

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Setter Drawing for Blog 082613Trying to watch Celeste & Jesse Forever is hard.

I don’t like movies like this. Glib, smug, self-conscious. Snarky, unfunny humor.

Tough flick to get through. Oh, and it’s something about a couple in the process of divorce who still behave like a married pair. What a concept. Bleah.

Too bad, too, because there’s talent involved in this Lee Toland Krieger film, including Andy Samberg and Rashida Jones as the not-so-doomed lovers. The components, however, just don’t seem to mesh, and they end up making for tiresome viewing. Too bad.

Is there a comedy in the house? Well, there is … once I decide to watch something better.

From Skip and Setter’s Creator: My Next Opus on CURNBLOG … This Time With Susan Seidelman

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Blog Sketch of Me 092213Hi, folks! My new interview on CURNBLOG is up, and it’s a good one: I talk to Susan Seidelman, director of films such as Desperately Seeking Susan, about balancing comedy and drama, Hollywood’s treatment of female talent, and her own cinematic influences. You can read more here:

http://curnblog.com/2014/03/07/interviewing-susan-seidelman-madonna-menopause/

I hope you like it.

Skip’s Quips: Awarding Myself the ‘Best-Avoided’ Medal

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Blog Sketch 082813One day after the Oscars, and I still don’t think you need to watch them to be a film buff.

I sure didn’t. I’m just not keen on it. And I certainly don’t agree with the Academy’s choices much of the time, though it’s hard to quibble with the Best Picture winner this year, 12 Years a Slave.

It’s the forced banter and extended running time that wears on me. These days, I find it hard to stay up past eight o’clock at night, so a couple of hours added to that are sure to bring on the dream sheep.

I guess a question should be whether I need to be more invested in the program if I feel certain films nominated for Best Picture or other categories, such as Gravity, don’t deserve the awards. Perhaps. If that happens to me in the future, however, I hope I won’t be faulted for skipping past the musical numbers, comic asides or homages to selected genres.

That’s already, what, 70 percent of the program? Well, then.

Just give me a bullhorn, and I’ll be the first to yell “Cut!” at the TV.

Skip’s Quips: Spreading the Love for Gilliam’s ‘Munchausen’

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Blog Sketch 082813I’m still sad about the fact that Terry Gilliam’s The Adventures of Baron Munchausen flopped when it debuted about 25 years ago.

I’m sadder, however, that it seems to be overlooked when people talk about overlooked classics. They might mention Gilliam’s other great film, Time Bandits, but Munchausen? Pshaw! That one flies under the radar of the everything else flying under the radar.

It’s too bad, too, because Munchausen is a terrific movie. There’s hilarious, Monty Pythonesque comedy. Rollicking adventure. Fine (for the most part) acting. A lovely score. And gorgeous art direction, exemplified by a brilliant set piece involving Robin Williams as a truly loony King of the Moon whose head detaches from his body in search of metaphysical pleasures.

That’s wild stuff. And I love it. If you like Time Bandits (which I do as well) and haven’t seen Munchausen, I encourage you to do so. It’s hardly shown on TV for some reason, but it shouldn’t be too hard to find. Plus, you can play “Spot the Famous Actor/Actress” while watching it, so that should provide added value. Enjoy.

Setter’s ‘Spectives: Dude, Where’s My Movie?

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Setter Drawing for Blog 082613Now I can finally say I’ve seen The Big Lebowski.

And what a big, sloppy movie it is. Kind of tedious, ultimately, too, though it has some bursts of funny dialogue.

Could’ve been a lot better, though. Seemed to miss a lot of opportunities. Still, you rarely see real, bona fide (OK, actors portraying real, bona fide) nihilists onscreen, so that’s a plus. A Big Lebowski plus. Hm.

Actually, what bothered me the most about this Coen Bros. film was the structure. Despite all the tying up of (really) loose ends, it felt like it was generated in a room at midnight over a couple of White Russian cocktails and tons of stale coffee. Perhaps that was the point. I’m not Big Lebowski big on that kind of point, though.

Yes, the cinematography was quite good. Especially the camera-in-the-bowling-ball shot as the orb rolled down the lane. Nice job on that, guys. It didn’t, however, define the movie, like some shots do. And great camerawork does not necessarily a great movie make.

Oh, well. I wish the Coens decided to be much sillier with the film, as it had so many wide-open targets: nutty artists, bowling aficionados, stoner, uh, no-goodniks. It just ended up being diverting, with a number of long stretches. I’m not Big Lebowski big on long stretches, either.

I just want a good-overall movie.

Skip’s Quips: Building a Case for ‘The Lego Movie’

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Blog Sketch 082813What audience is The Lego Movie trying to reach?

I only ask because, after seeing it last night, I’m thinking most of it will be over the head of your average 7-year-old.

It’s a pretty subversive flick, believe it or not. Full of frenetic jokes that only elder folk such as myself will get. And it doesn’t get all Hollywood sentimental until the end, though it seems like an organic conclusion.

But what are we to make about humorous references to “illiteracy” in a fantasy-themed Legoland or a male character eyeing a female one as she’s talking and only hearing “blah, blah, blah” or someone paying $37 for “overpriced” coffee?

I’ll tell you one thing: The kids in the theater where I saw this film weren’t laughing constantly. In fact, oftentimes they were pretty subdued. And I don’t think a children’s cartoon is supposed to do that.

Unless, say, it’s Watership Down … which isn’t really for children, anyway.

So where is The Lego Movie going? Hit or miss? It’s difficult to say. It’s going to have to get that adult audience, too, if it’s going to be successful. I’m not sure children are going to want to come back to see it.

But what do I know? I didn’t think that about Bambi, either.